Showing posts with label psychedelic. Show all posts
Showing posts with label psychedelic. Show all posts

Monday, 24 May 2010

Gazing Inside, Rocking Back and Forth

Dead Meadow - Dead Meadow - 2001


















Man,

this summer comes along psychedelically...

today seventy years ago in 1940, Igor Sikorsky performs the first successful single-rotor helicopter flight.

Today is also the day I present Dead Meadow's debut to you.
You may choose to find a connection.

Infused with yesterday's gig in Rotterdam I have to admit, I am now addicted.
I give away the drug for free.

This music is too heavy to perceive, too soft to accept, too disillusioned to believe and too real to be true. Set your tones low, turn up the volume.
I remain celebrating. I hope you'll too. This one is a journey through,


and beyond the fields we know

Sunday, 13 September 2009

This is not a dream?....well it sure sounds like one

Dadamah-This is not a Dream-1992
Alternative, psychedelic, rock

















Dadamah as promised folks, is the only album by this somewhat transient and awesome band, enjoy.
While Dadamah is often seen as another step along the way in the artistic path of Roy Montgomery, he'd be the first to agree that does a disservice to his equally talented bandmates. Singer/bassist Kim Pieters writes the fascinating if sometimes hard to read liner notes for this complete career overview, while there's also keyboardist/backing vocalist Janine Stass as well. Together the trio continued the by-then well-established Kiwi underground music tradition of shadowy, haunting music and production, helped by noted figure in said scene Peter Stapleton, who also took care of drumming as needed.

Unless the consistently aggro noise fests of, say, the Dead C or Gate, Dadamah also draw on a generally more spare but no less compelling approach, often building up arrangements and then settling back again, or else maintaining a continuing steady, gently addictive pace. There's the roots of Montgomery's work in the Pin Group, naturally, with its own echoes of Joy Division and early Cure, but there's also a very strange, folky vibe as well that at points suggests the work done half a world away by Dave Pearce in Flying Saucer Attack. Both Pieters and Montgomery's singing draws on the more idiosyncratic post-punk approach to vocals, eschewing technical skill in favor of just getting it out. Whether it's Pieters' higher, sometimes wailing approach or Montgomery's stern, strained and reflective singing, though, words and music almost always go very well together throughout. Stass' keyboard work, meanwhile, adds even more of a strange, odd edge to proceedings. Sometimes the tone is almost a bit jaunty, as the swinging skip and burbling keyboard notes of the lengthy "Too Hot to Dry," sung by Pieters, shows, even with the usual murky production style. With highlights like the Montgomery-sung "High Tension House," where the title phrase comes from, and the truly tripped, Pieters-sung "Radio Brain," This is Not a Dream is well worth investigating.
(All from AMG)

One of my favourite albums from the 90s, it has a fairly low quality sound which when added to the eerie oddly strained vocals creates something quite pleasantly haunting in a way. My highlight would be "Brian's Children" from a subdued start and a rather traditional alt pop verse is spirals down into a repetitive hole drawing you down as it goes, wonderful sounds.
But the album is full of great songs, "Papa Doc", "High Tension House" and "Too Hot to Dry" are all worth putting on loop, each time finding something new.
Capturing sounds reminiscent of the acid psych of the late 60s/early 70s, as many of the early 90s scene bands tried to do, this album is one of the best at doing so, but without sounding like a rehash, it merely takes inspiration from past to create something incredibly good. Its simplicity is its charm, yet the songs produced are far more interesting than alt pop very largely due to excellent writing and musicianship; but in great parts due to Mongomery's deeply disturbed demure vocals.

jamscoopa


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Papa

Down by the pond a toad sits sighing.....

Bardo Pond-Bufo Alvarius Amen 29:15-1995
Acid-rock, experimental, psychedelic-rock, drone.


















Hey heroes, for you today I have some distortedly dense droning psych from a band called Bardo Pond.

Bardo Pond issued its first album,
Bufo Alvarius Amen 29:15, in early 1995; its title was taken from the scientific name for the notorious hallucinogenic toad found in the western U.S. The CD version appended "Amen 29:15," a near-half-hour jam that marked Takeda's recorded debut with the band. Later that year, Compulsiv released a CD EP of leftover tracks called Big Laughing Jym. Bufo Alvarius sparked the interest of Matador Records, which signed Bardo Pond and issued their breakthrough sophomore effort, Amanita, in 1996. Titled after a little-known hallucinogen from India, the album won critical praise and substantially heightened the band's profile, as did their increasingly improvisational live shows.

It starts with feedback, hum, and fuzz, then a heavy guitar riff emerging from the murk -- arguably Bardo Pond in a nutshell. Then again, enough other bands do the same thing, so why should the Pond get singled out? It's hard to pin down an exact reason, but whatever "it" is that a band needs to connect, they've got it. The slow, stony pace that "Adhesive" establishes for Bufo Alvarius Amen 29:15 continues through the album's remaining tracks, but in such a way that Bardo Pond rapidly become their own band and not merely the sum of their influences. There's something about the combination of lo-fi crunch, post-shoegaze bliss-out, stoner Quaalude head-nodding, and Loop/Spacemen 3-inspired drone that's truly unique.

Standout moments abound: "Back Porch" has a series of instrumental breaks with brief, beautiful guitar lines, while on the soft jangle of "On a Side Street," various solos unfold slowly but surely in the background as lowly sung lyrics amble about. "Capillary River" has some astonishing, transcendent soloing in the middle of the song, building up to a brilliant final verse as Gibbons' vocals are lost in feedback and haze. The low-key shuffle/drone "Absence" is a good showcase for Sollenberger's singing -- sweeter and clearer here than might be expected. The CD version includes what might be the ultimate head-trip of them all, at least for this particular album: the 30-minute "Amen." The central part of the song is a fairly simple chord progression repeated again and again, but it's the various touches throughout the number -- the extra drones, watery deep reverb on the bass, and slow overall rhythm -- that make it the understated monster it is.
(All From AMG)

Its the bands debut in all its raw form, but a great listen, check out "Amanita" "Lapsed"or "Dilate" if you like this. I will also be posting "Dadamah-This is not a dream" next which is Roy Montgomery's band. Montgomery collaborated with Bardo Pond on a side project "Hash Jar Tempo".(inspired by the brilliant Ash Ra Tempel, whom I will also post)
Excellent album, its takes time to hear through the uber heavy distortion, but once you do it works beautifully. They have also jammed with Damo Suzuki's Network, which I've been lucky enough to have seen twice, the live recordings of the gig are immense, although currently not up anywhere I know-links would be appreciated.
jamscoopa

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Toad
More info:
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scaruffi

Friday, 11 September 2009

The Psychedelic Avengers

The Psychedelic Avengers-The Psychedelic Avengers and the Curse of the Universe-2004
Psychedelic, space-rock, rock-opera, eclectic.

















Good Patriot Day to you Sirs. But I'm not American so whats much more important is that it's the weekend, wonderful. For you on this day I have a collection of like minded artsists;going under the name of "The Psychedelic Avengers" creating an intriguing masterpiece which they chose to call "PA and the Curse of the Universe". I won't review overkill this album, its basically a spacerock opera, with a bunch of different styles from different guys, but it works well if you listen to the whole thing all the way through, whether intoxicated or not.
jamscoopa

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Spaceman

Tuesday, 1 September 2009

The brave and free

The United States of America-The United States of America-1968
Psychedelic, electronic, experimental.

















A cult psychedelic classic here for you tonight ladies and gentlemen. The United States of America's self titled and sole album rank as one of the best of the 60s, which is a tough decade to stand out in. Recorded and released in 1968 this is unfortunately the bands only release, yet it is a work of huge quality both in its experimental sound and catchy juxtaposed songs. In a broad way it is reminiscent of The Zombies "Odyssey and Oracle" where light poppy songs are accompanied by less than poppy lyrics. Its dreamy ballad songs are some of the albums best songs and due to its freaky female vocals remind me a lot of Velvet Underground and Nico and also a much distorted Grace Slick in Jefferson airplane.
The album was revolutionary for its pioneering use of electronics(
the ring modulator) and heavy mesmerizing themes, its very much a unique album in this sense but one that also fits its era perfectly. Along with Silver apples who also released their self titled album in 1968, this album sound was predicting later decades of ambient synthesizer dominant music, and whose only equivalents can been seen as those in krautrock.

The album starts with a circus themed
"The American Metaphysical Circus", a highlight and bizarre song(see the mildly jaded amg review). The other stand out songs are "Cloud song", "Where is yesterday" and some nice bass in "Coming Down", but really the whole album is excellent. If you like psychedelic, interesting or experimental music check out this album.
jamscoopa

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USofA (256kbs)

Tuesday, 25 August 2009

Its soooooooo beautiful........*starry eyes

Colour Haze-Self Titled-2004
Psychedelic, stoner, instrumental, fuzz.


















I'm quite surprised its took me this long to post this band. Colour Haze are top of my lastfm bands and "Love"(a song of this album) is my top played song. A band formed in the mid 90s but did not create anything truely excellent until 1999s "Periscope" from which they had the lineup they current have. This self titled album released in 2004 is the bands 7th album, with "Los Sounds de Krauts", CO2" and "Tempel" this album shows what has kept them making music whilst others around have abandoned there post. Starting from an agressive Sabbath influenced sound in their earlier albums to a more melodic and gentler sound; the band have been evolving and tweaking their sound. This is very evident on the most recent release "All", which is inspired by Indian classical music, featuring traditional arrangements and instruments (sitar)-they've come a long way.

Lead by the teutonic Stefan Koglek, Colour Haze are a power trio after the likes of cream, with Manni Merwald on drums and Phillip Rasthofer heavy on the bass. The feel is reminiscent of 70s acid rock but it in no way feels retro or dated unlike many bands with a similar style.
The understanding and fluidity between the band is immense and plays a huge part in their music; whether in the controlled subtler parts, where the individual parts feels natural and deft or the more frantic swirling sections where its only the skill and harmony of the band that allows them to create what they do.

The album starts with "Mountain" a CH classic and fairy typical of what to expect from their material, with a slow build up to a frenzied, epic jam to finish. "Tao Nr.43" is a harder song with more aggressive vocals and sound. "Did ĂȘl it" is a minute and a bit of light fuzz, with a catching peak 2nd time round.....you'll see. The pinnacle of the album is "Love", a 9 minute epic which takes half of that to get to the heavier stuff, however the build up is brooding but measured. The song is one of their most beautiful and powerful, by the time it gets to the seismic climax, with the longing guitar over dense driving fuzz, a listener (if they aren't a robot) should be hooked. "Solitude" gives a welcome quieter melancholic moment before the 22 minute beast "Peace, Brothers & Sisters!" which should speak for itself. The album closes on a great note with "Flowers" a more poignant affair which is a superb ending a an excellent album.

Colour Haze s/t is one of the best heavy psychedelic albums made, its invigoratingly aggressive and yet sumptuously peaceful, a hard mix to blend smoothly-but that's exactly what it does. They maybe didn't the most original start to their existence (as with many post Kyuss bands) but the band have found a unique and exciting sound and are constantly trying to push their sound to match their ethos. There are quite a few bands in the same genre but few in the same league as Colour Haze. More to come from these guys.
If you like this check out any of their labelmates, or Cream and alike bands. Please support this band by buying their albums and seeing them live.
jamscoopa

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Allthatisheavy
Elektrohasch
and many more.
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Haze (320kbs)